Maggie Lowe Tennesen is a southern California native whose paintings and drawings have appeared in
numerous exhibitions, including those at Stone Rose Gallery, Warshaw Gallery, Jancar Gallery, Cirrus
Gallery, RBStevenson Gallery, and the Los Angeles County Museum of Art.
Her work has been reviewed in Art in America and the Los Angeles Times, and was published in the Winter
2005 edition of New American Painters. She holds a BFA from the California Institute of the Arts and an
MFA from California State University, Long Beach.
She was the recipient of art residencies at GilsfjordurArts in Iceland, at Silpakorn University in Bangkok,
Thailand, as part of an art exchange between Thailand and California, and at the XIX International Art
Colony in Kriva Palanka, Macedonia.
She is represented by RBStevenson Gallery in La Jolla and Saltfineart.com in Laguna Beach.
Art Residencies:
Education
My work derives its imagery from the accumulation of strands or veins that recall the weft and warp of
existence. Time, space, and color are part of the material of this fabric.
They grew from previous work that articulated aerial images of urban grids and windows of meditation.
The desert landscape where I now live has worked itself into the imagery. Stratified rocks near Joshua Tree
National Park have replaced the urban settings. The work is based on the powerful forces that have built
this landscape, its layers and layers created over vast periods of time by rock, sand, and color–in places
worn by desert flash floods, jumbled by earthquake faults, and modified by animals both large and small.
The dense population of lines in my work reflects an inner environment as well. Waves emerge in heaped
up strings of consciousness, form, feelings, habits, and thoughts. Muscles, bones, energies, emotions, and
color stir mysterious energies . Forms seemingly arise from nowhere, come into being, gaining mass and
momentum, and then dissipate. They accumulate, gather, and strengthen, bit by bit, to form interlocking
patterns.
These pieces are inspired by meditative practice and the natural environment, and here these influences
have coalesced and taken shape in ways that are wild and unexpected, as in the world inside and outside
all of us.